Khom is the Sacred Khmer Sanskrit Script used to Inscribe Incantations around, and within Sacred Yant, and is for many Sak Yant Devotees, a fascinating topic in itself. Many people wish to leanr (and indeed quite a few people have already succeeded) in learning Khom.
After various relatively failed attempts over the years to try to explain Khom Agkhara Sanskrit on the web, i have begun using some whiteboard application to try to create some content to help people to understand the grammar of spelling in Khom, and how to use it to inscribe Sacred Yant. Also to analyse the meanings and symbols within the incantations found within Yant.
Kata Novahorakun – A Sang Wi Su Lo Bu Sa Pu Pha – Itipiso Encoded
I hope to step the episodes up and try to somehow formulate a series of Khom School lessons for those who are trying to figure it out. I have already done a few tentative attempts, and would like to share them with you here.
I apologize for the lack of calligraphic prowess in the above inscription tutorial, which is because the whiteboard app used does not allow for anything else but a thin even line to draw with. However, i feel that the tutorial serves it’s purpose, in allowing you to see how the spelling is performed.
In the above lesson which is primitively filmed (made ages ago), i explain floating vowels but do not mention that apart from the eight stand alone floating vowels, there are four other compound vowels in addition which are classified separately, and the mother of all vowels (Aw/Or) which is classed as a consonant. This gives us a total possible thirteen vowel sounds on Khmer Khom, but it must be said that in Sak Yant Thai Temple Tattoos, many Samnak and Kroo Ba Ajarn use ‘Thai-Khom’, which is a more complex and developed alphabet and A completely different set of grammar rules, which allow a further set of vowels to be added, such as the short ‘Oe’ vowel, and the short ‘Ae’ vowel, as well as the classic Thai ‘Ao’ vowel.
Now some Yant Analyses
And one last one with a Sacred Na Hua Jai Suea Tiger Spell i made on a bottle of Nam Man Suea Kroeng from Luang Phu Bpan.
Here is a little look into the Wai Kroo master Day ceremony, which I celebrated at my home ashram on 6 March 2557. All people who receive Sak Yant tattoos, as well as devotees of the Lersi Hermit Gods and Occult Sorcery, must according to tradition receive the laying on of the Lersi Khone Mask (Siarn Kroo), and attend or perform the Mass today ceremony which is known in Thai language as ‘Wai Kroo’.
I took advantage of the occasion for boiling all of the Amulets I have made over the last year and been empowering, to boil them in sacred oils and perfumed oils with other sacred Amulets I have collected from a host of great masters of modern and ancient times.
I must admit it was very difficult making a private master day ceremony, because one had to do all preparations, setting up, incantations and all the activities, and the clearing away of everything afterwards all by ourselves (2 people). I decided to hold it privately and unannounced in order to customise myself with self conducted performance of the ceremony, and to accustom myself to every facet, and aspect of the preparation and performing of the ceremony.
I prepared a cauldron, inscribing sacred geometry designs on the surface of it beforehand, in order to empower it with the Wicha for making See Pheung.
I used a mass of dried sacred herbs, woods, and other natural substances, as well as Amulets and elemental materials, such as Lek Lai Kaya Siddhi elemental substance, Holy treewoods, sacred rare forest flowers, powders and oils, and other kinds of amulets. These Amulets came from from an array of ordained and non-ordained masters of sorcery.
Sacred herbs and other ingredients used in the formula for the making of See Pheung through boiling in a sacred cauldron with inscription of Yantra spells in Khom Agkhara on the surface of the cauldron
Nam Man Prai, Kumarn Tong, Monk Coins, Muan Sarn Sacred Powder amulets such as Pra Somdej Luang por Toon Wat Po Nimit 2512 BE, Pra Kong Chai Chum 2512 Ajarn Chum Chai Kiree, Pra Nakprok Taep Nimit 2496 B.E. Ajarn Chum Chai Kiree, Jatukam, Por Tan bam amulets of Wat Don Sala, Yantra Foils, Ploi Sek Maha Pokasap polished Gems, Takrut, elemental substances, Wan Salika, Wan Sanaeh Jantr, Wan Nang kwak, Mai Ga Fak Rak, Fak Ga Hlong, Lersi Rosary beads, Somdej, Lersi Por Gae Dta Fai amulets, Luang Phu Tuad amulets, Lersi statuette on naga throne, Somdej Luang Por Supoj, Wishing crystals, Jing Jok gecko amulets and gecko oil, and sinjana cords from suad pan yaks ceremony from Luang Por Suton.
In truth, I cannot really remember many of the sacred items which I have gathered over the last three or four years in preparation for immersion in these oils. At first I thought I would make sacred Metta Oil, but in the end, I realised I had hoarded and stashed so many herbs from my sacred herb garden, that it outweighed the amount of available sacred oils which I had put aside for this purpose.
Hence I decided to change my strategy, and to risk the experiment of my life, which I have been thinking about and contemplating its secret methods for the last year at least. I am actually halfway through an article, about how to make the essential See Pheung Balm, which is so waxy and thick, but which i have seen distilled from a cauldron using herbs and Nam Man Prai. This video I made some months ago, shows some of the Amulets which were immersed in the Cauldron during this Wai Kroo.
I possessed 90% of the secret methods, but it was impossible to find the actual catalyst which would transform the oil into a thick paste or balm, as we see in the case of See Pheung.
The rest was already ingrained in me over years of study practice and experimentation, from the ingredients to mix and its other formulas and the sacred geometry of Buddhist Yant to be inscribed along with the Khmer Sanskrit spells upon the surface of the cauldron, before adding the oils and herbs. The incantations of the mast today were already known to me and prepared to chance to invite the celestial intelligences to attend and to lend their blessings to the ritual ceremony.
Hua Chuea See Pheung – ‘Hua Chuea’ means, The concentrated extracts or that which is skimmed off the top. This is the total resulting substance derived from the massive cauldron of herbs oils and other substances. The rest is absorbed within the sacred powder and wooden Amulets which were immersed within the Nam Man Prai and boiled up.
I cannot reveal what is the missing secret, which transforms and catalyses the formula into becoming a thick paste which we know as See Pheung. But, I can say that the outcome was successful, but also, that the high density of herbal, and other sacred ingredients, has resulted in extremely concentrated form of See Pheung, that I have decided to do what many sorcerers in Thailand will do with the substance, and dilute it, with other perfumed substances.
Inscription of magic spells upon the exterior of the candles which also possess a sacred spell inscribed within the core of the candle. The candles are made for removing negative influences in one’s line of fate, and Karma. They were created and empowered by Pra Ajarn Supasit of Wat Bang Nam Chon.
This is done, in order to make it possible to apply, and affordable to distribute. I must have invested about at least $1000 in making this cauldron of oil, whole 5 Liters of Sacred Oils, perfumes and other liquid substances of magical nature. The result, was a half litre tub of sacred See Pheung balm. From a whole cauldron full of herbs and 5 L of Sacred Oil, we have ended up with about half a kilo of extremely concentrated See Pheung.
One thing which I have forgotten to reveal until now, is the fact that I added a whole litre of Nam Man Prai Hun Payont, and A large wooden animist humanoid effigy made from Sacred Ga Fak Rak tree, bound with sinjana cords and empowered with reanimation spells by Por tan Kloi of Wat Phu Khao Tong.I made this oil some months before using the remnants of three other Nam Man Prai oils to mix together and then immerse the hun payont ghost soldier along with a goosebone yantra spell, lek lai, loads of sacred woods, herbs amd other amulets. This was poured into the cauldron to and used for empowerment.
Sacred Yantra inscription
I hope you enjoy viewing my private home ceremony and that it inspires you, and gives you ideas about how to set up your altar for such a ceremony. Of course this is not the full blown version, rather and affordable and practical, realistic ceremony for a small family at home in private.
Inscribing sacred Yantra foils on silver Takrut foil
Thee large Yantra foils were immersed to perform differing purposes.
The Amulets which were boiled in the cauldron, I’m now being laid out to dry every day until they can be encased, and I shall be distributing them to both customers of my amulet store at Thailand Amulets, and also those who interested themselves for my publications, my podcasts on soundcloud, and my YouTube channel, as well as many of my Facebook friends.
Hubble bubble toil and trouble
Almost all Amulets I make a distribute for free, whereas those which were made to be solved by others, I distribute for a price for that is what purpose they were made for. The ones I make are not made for a commercial purpose, rather than to bring joy to others, nothing else.
Cauldron with Yant Long See Pheung inscription.
The cauldron was inscribed the evening before the ceremony, within the ashram.
Sacred Yant long See Pheung
The main Buddha image used for the altar, was Somdej Pra Wat Nang Paya
A small preview of some of the video documentation I am preparing for releasing as a full feature length documentary. This is still in prototype form and hopes to receive much more polish by the time I produce the final DVD.
Ancient book of spells in Lanna Sanskrit
this video and narrative was made just as I began to practice making videos, and I am now becoming more advanced in my knowledge and ability. I now hope to begin soon on making a serious documentation, of all of the ancient books of Sacred geometry which I have collected, mostly coming from the northern regions of Thailand, and written in the ancient Lanna script.
These ancient grimoires, are full of very rare, and yet unseen forms of Sacred geometry, and animist imagery. Apart from this learning to make videos has given me 1000 new ideas for how I can return to documenting and blogging about Buddha magic, amulets, anthropological documentaries, and Thai Temple tattoos.
This means a whole new depths of the way I can transmit the things I wish to publish using sound and vision and motion. Things have become boring for me with the old way of blogging, and this is why this website has had a lot less publishing done in the last year.
I can now promise, that this is going to change and that I will publish much more often, using my new approach to publishing which is through the use of multimedia such as video and podcast channels, and video tutorials on Buddha magic topics, using various videocasting apps. The topic of Buddhism and Buddhist meditation is also something with which I am very deeply involved and have been since the day of my ordination and continuously after my disrobing as a Buddhist monk.
I have been publishing about this on other websites and networks, and I shall now be referring to those sources of multimedia here often. Media, which I have created on other websites, so have decided I should link to from here in my blogs, so that you can find them you wish, and interest yourselves for those Vlogs, videos podcasts and other publications.
If you wish to see what I have been doing in my absence from the Thai Temple tatoos website, then you should visit some of my YouTube channels and my channel on sound cloud.com as well as my time but it’s amulet website and Web store.
With over 3000 amulet in that store and it amulet having hundreds of words in each write-up which tells into its making and its history and its maker you can see that I have been constantly blogging all the time and amassing a mountain of information which has never before been documented in the English language. If tatoos is not your only interest and your interests yourself for the topic of time buddhist amulets then you will find much to read on my website there at Thailand – amulets.net.
In addition, this finally opens up the path for me to begin to make video tutorials, on how to write Khom (Khmer Sanskrit), in order to understand the sacred geometry found in Thai Buddhist temple tattoos.
In fact, I have already started to do this, and published a few basic prototype tutorials, on YouTube.com.
you can visit my channel there at YouTube.com/AjarnSpencer
you can also use YouTube.com/BuddhaMagicTV
I shall be publishing a lot of them on those two channels, as well as the you tube channel for the sak yant foundation.
I hope this shorts and slightly amateur video narrative will spark your interest and that my future video publications of the logs as people like to call them, develop and entertain you as well as provide you with informative documentaries on what are my favourite topics and I hope, also yours!
Well, that’s all for now I hope this post has spiced up your entertainment of this website and new, and you can be looking forward to some new and interesting multimedia the log and blog posts as of now